Friday October 3rd, 2025
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Bartosz was hired to compose an original score for the Dreame Christmas Special short-film promoting their products.
Directed by Scott Peters
Produced by TRIO STORIES
DREAME TECH / DREAME POLSKA
At the International Gala of the Kraków Film Music Festival, Bartosz’s orchestral arrangement of Bartosz Chajdecki’s score for Supersiostry was performed by a 100-piece orchestra. The evening highlighted the achievements of Polish composers alongside international voices, with this year’s guest of honor being Academy Award–winning composer Gustavo Santaolalla.
Bartosz was interviewed for Dziennik Polski in an article titled “Polak w Hollywood – muzyka to nie tło, to drugi bohater” (“A Pole in Hollywood – music is not background, it’s the second hero”). The feature explores his perspectives on film music and his role as composer in bringing stories to life through sound.
Bartosz has been active in the film industry since 2019 and has created music for film, TV, theatre, advertising and music libraries. His client list includes companies and organizations such as Bleeding Fingers Music, Xiaomi, Highway Child, Zhiyun and Extreme Music.
In 2025, Bartosz graduated from the Screen Scoring masters program at the University of Southern California, awarded the coveted Warren Prize in Scoring for Motion Pictures and Television. In February, he recorded his piece “We Shall Fight” at the Eastwood Scoring Stage with a 52-piece orchestra of LA’s finest musicians.
After graduating from Berklee College of Music in 2022, he composed additional music for several productions including “Supersisters” and “Game with Shadow” collaborating closely with the renowned Polish composer Bartosz Chajdecki. He has also orchestrated on titles including “The Crown (S6)”, “Aquaman and The Lost Kingdom”, “Ferrari” and “Chicken Run: Dawn of the Nugget” amongst others.
During his studies at Berklee, Bartosz was awarded the Georges Delerue Scholarship, the most prestigious award of the Film Scoring Department. He was also selected for the Advanced Orchestration class, where 6 out of 300 students are accepted each year.
He is a regular attendee of the Composers Summit in Prague, completed the National Film & Television School’s Film Scoring Short-Course in the UK and took Film Scoring Workshops with Oscar winner Jan A.P. Kaczmarek in 2018.
Recorded at Eastwood Scoring Stage
Recorded at Eastwood scoring stage during the 2025 Capstone session - the final recording session of the USC Screen Scoring Masters 2025 program.
I'm really grateful for everyone that helped me bring this piece to life - huge thank you to the incredible 64-piece orchestra contracted by Encompass Music Partners, my private instructor Lolita Ritmanis, Pete Anthony for orchestration guidance, Al Clay for mixing and mastering the piece, my proofreaders - Eduardo and Antonio and everybody else that was involved in the project!
Recorded at Eastwood Scoring Stage
Huge thank you to the incredible orchestra contracted by the Zimmitti Music Group, my private instructor Lolita Ritmanis, Pete Anthony for conducting the piece and orchestration guidance, my proofreaders - Eduardo and Antonio and everybody else that was involved in the project.
I’m really glad to announce that my piece “Her Reveal”, recorded during my last day as a student at Berklee is finally ready to watch!
Studying in the Berklee Screen Scoring Department was always full of projects and challenges, however I though to myself “I want to finish my journey in this school with something personal, strong and meaningful”, so I was really lucky so gather 6 of my friends who happen to be some of the best musicians I got to know in Boston and record it with an amazing audio and video crew!